Our grandmother’s scrapbook

Doris passport, 1918
Doris Deverill’s passport photo, 1919

Tracy and I are heading off to London, Ontario, this weekend to talk about The Cowkeeper’s Wish, so we are naturally thinking about our grandmother, Doris Deverill, whose story first inspired us to write the book. We used a wealth of resources to piece together the century-long tale, but the most treasured ones came from our own family archive.

The following article tells a little about that collection, and some of our mishaps along the way. The story first appeared earlier this year in the Alberta Genealogical Society’s journal, Relatively Speaking.

Several years ago my sister and I set out to tell the story of the British side of our family, from our Welsh 3xgreat grandfather, who walked to London, England, with his wife and his cows in the 1840s, right on down to our grandmother’s marriage nearly a century later in London, Ontario. We aren’t professional genealogists by any stretch, but rather writers who share a passion for family history and great stories. Armed with an abundance of curiosity, we scrutinized all the essential documents: census, birth, marriage and death records, and also workhouse and asylum ledgers, old newspapers, passenger lists and immigration papers. We looked everywhere for our people, and got chills whenever we found them. Some of the loveliest material had been passed down from the very people we were writing about: letters and postcards with strings of x’s, embossed funeral cards, a lucky penny that went through the war with a sailor-great-uncle, and an array of photographs. Treasured possessions, all, and a gold mine for researchers who like to read between the layers of everything they encounter.

Chapter 15 - Bebbie and Doris, 1920s
Doris with Martha Bedford, whom she called Bebbie, in London, Ontario in the 1920s

Our grandmother, Doris Deverill, was born in Whitechapel in 1910, and emigrated to Canada in 1919. Her childhood had been infused by war, and both her parents were dead. She was now under the care of a family friend named Martha, a woman she loved dearly, but it must have been devastating to leave her siblings, her friends, and everything she’d known to cross the ocean and start somewhere new. Maybe it was this monumental loss that caused her to paste the postcards she received, for years afterwards, into a scrapbook. Or maybe it was just a young girl’s admiration for pretty pictures. The cards featured sweet little girls holding kittens or puppies, the images often tinted to give them an even more tender look than they’d have in sepia. And the text usually matched the pictures’ sentimental themes:

Chapter 15 - Post card from Ethel, circa 1920.jpg

But when I say the postcards were pasted into the scrapbook, they really were pasted. It’s impossible to know, now, what she used to adhere them to the pages; though many of the cards date from the 1910s and 20s, she may have re-glued them later, or even started the project later in her life, gathering the loose pieces she’d collected over the years. Regardless, it was obviously the cards themselves our grandmother had been preserving rather than the messages on the backs. She would never have imagined that, long after her death, anyone would want to know what the postcards said or who they were from.

We, of course, were itching to know. As we flipped carefully through the book, turning the thick pages, we pried at the corners of the cards just gently to test how easily they might be released, curious to know what secrets would spill forth once we saw them. For though so much can be gleaned from historical records, these personal artefacts had been held by the very people we were searching for. A postcard had been chosen just for Doris in some little English shop by an auntie, a sister, a cousin; had been written on and stamped and mailed, had traveled all that distance by ship, just like Doris herself, and then been brought to the door by the postman, and she had happily received it and devoured the message with her fingers carefully placed at the card’s edges, no doubt, so as not to muss the pretty picture.

Over the years of our research, we often longed for more of these kinds of resources to help us unravel the family story. We’d sometimes joke with each other by email as we slogged through the many dry spells of our research periods: “You’ll never guess! I found the cowkeeper’s wife’s diary from 1842! She recounts their travels from Wales; how long it took them and all the strange things they encountered, and their first impressions of London when they landed there, the cows weak and weary and their own feet blistered and sore! There are delicate pressed wildflowers inside, and little drawings in the margins!”

Of course, there was no such diary; and on actual records, the cowkeeper’s wife had signed her name with an x, so likely she could not have written one anyway, even if she’d cared to. But we did have Doris’s scrapbook – and with a variety of approaches we had some success in releasing the postcards from an almost century-old grip. Some were sawed free with dental floss; some were steamed or blow dried; some soaked in tiny baths. It was a bit like taking the scrapbook to the spa, and pampering it to give over its secrets. And it was beyond exciting, even though, to be honest, most of the postcards had fairly mundane messages, such as:

Chapter 15 - Reverse of post card from Ethel

Ernest Biss postcardAnother featured a hand-drawn rose on its front, meticulously painted, and signed Ernest Biss. We didn’t want to soak this one for fear that the rose would disappear, so we carefully steamed it loose and watched it curl at the edges. The rose suffered a little from our efforts, and we lost some of the message on the back – but once again, it seemed disappointingly spare anyway. But we had a name, at least, and with a bit of sleuthing we discovered that Ernest was about 19 the year Doris left for Canada; he was her neighbour in College Buildings in Whitechapel, and his father was the verger at nearby St. Jude’s church, where she was baptized. Their families would have shared the same dismay when the Titanic went down, taking with it the church’s beloved minister Ernest Courtenay Carter and his wife Lilian. Doris was given the middle name Lilian for Lilian Carter; was Ernest likewise named for Ernest?

What became of Ernest Biss and his drawing abilities? We can follow him in various documents through the years, but his link with Doris remains a mystery. Did they correspond after Doris and Martha left for Canada? If so, there is no trace of an exchange, and only the rose remains.

The wordiest postcard in Doris’s scrapbook depicted the ship Metagama, which brought Doris to Canada. Metagama was a passenger ship launched in spring 1914, but soon pressed into service as a troop carrier during WW1. In 1919, when Doris was on board, there were still plenty of soldier-passengers making their way home. Doris and Martha were just two of 1,300 souls on board, arriving in Montreal after a nine-day journey. From there, before boarding a train to London, Martha sent the card to Doris’s brother Joe. Doris wouldn’t see Joe again for about 40 years, which means he either sent the postcard back to her as a keepsake, or held onto it all that time and offered it in person, when she returned to her birthplace as middle-aged woman.

We tried all the methods to free the postcard from the album, but when it came loose the writing was still covered by a fuzzed layer of the album’s paper. So we kept steaming, peeling, stopping, discussing. Then we’d peel, stop, discuss some more. The postcard was like a scab that shouldn’t be picked – but imagine what it might tell us, having been written on the very journey that opened the door for our own existence. Surely it was a little diary of sorts, but real this time, and in our possession!

In the end, we got the layer of album paper off of the post card, but most of the words came away with it. We held the bits of paper up to the light, and we peered at all the remnants with a magnifying glass, but much of the message had been lost to us. We were left with:

Arrived quite safe this morning at 6 o’clock. We had a very … Write you later on.

Had a very what? Difficult journey? Wonderful journey? Big breakfast? Bad fight? Tearful goodbye with fellow passengers? Though the family correspondence had never been terribly revelatory, the loss still felt awful, since first-person accounts in the histories of ordinary people are rare wonders, no matter how mundane. And yet, our story got told anyway; built bit by bit like an intricate collage. When I think back to our wrong turns, and to the brick walls we encountered while searching for clues, I realize that it isn’t important for me to have all the answers, and that part of the beauty of this kind of research is in the very mysteries that can never be solved. For after all, each time a new person is added to a tree, more blank spaces inevitably open. Every “answer” prompts new questions, and keeps the journey, rather than the destination, in focus.

rms metagama

War, PTSD, and “the Golden Rule Exchange”

cfa poster.jpg
Library and Archives Canada, Acc. No. 1983-28-927

I was in London, Ontario, recently, giving a workshop about the many wonderful resources we used to research The Cowkeeper’s Wish, and afterwards I was approached by Gord Wainman, one of the participants, who told me a bit about his father, “a very troubled soul” who’d served in the First World War.

I was moved by the story and asked Gord to share it here, and am posting it the day after Remembrance Day to underscore the idea that war wounds, both mental and physical, continue long after war has ended. Here, in Gord’s words, is the story of Stanley Holmes Wainman and his family.

A year before he died, my father made a final request. He wanted to be buried in a simple pine coffin with his body wrapped in an old wool army blanket. He made me promise I would respect this wish. His reason for this spartan request — to honour the many friends and comrades who had died on the World War 1 battlefield.

He fought at Vimy Ridge and was part of the final advance to Passchendaele only to become a casualty two weeks before the war ended. He was a bombardier, overseeing the firing of artillery and accompanying the horses and Limber wagons into battle. At least twice, he was sent to “gas” school where soldiers were trained on how to respond to mustard gas attacks. Not the best military “occupation” for such a gentle man who worked as an accountant before joining the army.

SHWainman
Stanley Holmes Wainman appears far right

My father was 21 when he joined the 40th Battery, CFA in Hamilton on Sept. 17, 1915. Six months later he was in England but was hospitalized shortly after he arrived because he had German measles. He landed in France on July 14, 1916, and except for an 18-day leave and a brief hospital stay for impetigo, he was in the field for over two years.

He never spoke of his war experiences. Until I found his records, I did not know he was a bombardier. I did not know about the “gas” schools. I did not know that his right foot was partially crushed by a Limber wagon near Valenciennes 20 days before the war ended. He was evacuated but his return to Canada was delayed by several months until he could walk again.

If the luggage he brought home was sparse, his emotional baggage was huge and its weight affected us all – my mother, my brother and myself. We lived with his depression. We all bore his pain.

Several family friends described my father as someone who always seemed to have a “permanent cloud” over his head. In the 32 years I knew him, I never remember hearing him laugh. Even his smiles were forced.

After the war, he spent most of his life devising a financial solution to the world’s ills which he believed would end all wars. He wrote a book, convinced it would change the world.  He expected my brother and I to continue his mission.

While he never talked about his war experiences, he did say that he and his fallen friends had been “duped”. A genius with figures and a self-taught thinker, he was going to correct that. He was obsessed, spending little time with wife or sons.

He and my mother were what I’d call “progressives” today, meeting during the founding convention of the United Church of Canada. He was a Methodist, my mother an Anglican. They paid a price as they were initially shunned by both families.

In 1929, ten years after he returned to Canada, my father lost his job when the Depression hit. He rode the rails to harvest in the West and tried to make money painting barns in Northern Ontario. My mom and brother suffered. Several years ago, I read a heartbreaking letter my father wrote to my mother while he was up north begging her to help their son David understand why they lived in such desperate conditions, above a store on St. Clair West in Toronto.

By the mid 1930s, my father ended up in Windsor, Ontario, where he stayed. That’s when his obsession about ending war and human misery became all-consuming. He developed a financial system he called “The Golden Rule Exchange.”

Living with constant supper-time lectures on the evils of greed and the golden rule solution, my brother Dave fled home at the age of 17. I was two and idolized my big brother.

A few years before Dave died in 1997 at age 69, he told my wife, in tears, that he was racked with guilt for leaving “that poor little fucker” — me — to fend for myself in that toxic environment. “There was no laughter or joy in that house”, he said.

Considering all the conversations involving PTSD, we now know that’s what my father suffered from. Back then, if there were physical signs, it was called “shell shock”. But he showed no outward signs.

The Anxiety and Depression Association of America outlines seven symptoms. If a person has two or more, they likely suffer PTSD. My father scored on six of the seven: exaggerated expectations of self, other or the world; persistent anger; diminished interest in participation; detachment from others; inability to experience positive emotions; nightmares.

When I was eight or so, Canada entered the Korean War. To make his point about the horrors of war, my father took me to see the silent 1930 movie All Quiet on the Western Front, based on a book by Erich Maria Remarque, a German veteran of World War I. Looking back, I know my father wanted the movie to speak for him.

The impact on me has been periods of depression. My wife sometimes says… “It’s time to leave now Stanley”, not out of disrespect for my father, but to shake me out of my mood.

Stanley Holmes Wainman died in 1974 in the old “Parkwood” military wing of Victoria Hospital in London, Ontario. My brother and I knew it was the end of a long painful life. My mother Leota May died 14 years earlier when I was 17. I was a late comer. My father was nearly 50 when I was born in 1942. I was named after Major Gordon H. Southam, a unit commander with the 40th who was killed in action in 1916.

Laid to rest in a pine coffin and wrapped in the wool army blanket he requested, Stanley Holmes Wainman was buried beside his wife Leota May. A small family group attended, my brother Dave and his family and me with my wife and daughter.

Before he died, I told my father I found a blanket and that seemed to comfort him. Then he said something that stunned me considering he lived his life convinced he could solve the world’s problems.

“I always thought I knew the answers, but now I’m not so sure.”

I didn’t cry at his funeral. Four years later, out of the blue, I began to sob uncontrollably, with no idea what triggered it.

Despite our bad times, he was always there for me when I got in trouble. Despite it all, I still miss him.

Gord Wainman

lone man passchendaele
A lone Canadian soldier navigates the mud-soaked battlefield at Passchendaele, Belgium, in November 1917. William Rider-Rider / Department of National Defence / Library and Archives Canada / PA-002165

 

 

Picnic Hill

There’s a 1916 photograph in our family collection that shows three young boys sitting cross-legged on the grass, wearing buttoned-up suit coats with wide lapels, neckties and knee-length knickerbocker pants. Freckled faces peer out from beneath straw boater hats, and one of the boys squints slightly, as if the sun over the shoulder of the photographer beams down on them. The boy on the right is our grandfather, Bill Cartwright, and alongside him are his brothers, George and Jack. Forming the background are the long skirts and folded hands of seated ladies, and along the bottom of the picture someone has written “McCormick’s Picknic 1916.”

Chapter 14 - George, Jack and Bill Cartwright, McCormick's picnic, 1916
Bill Cartwright, right, and his brothers sporting straw boaters and knickerbockers at a 1916 picnic

McCormick’s was the London, Ontario, biscuit and candy company that employed Bill’s dad, George Cartwight, and, coincidentally, Ernie Deverill, our great uncle from the other side of the family. But in 1916, Ernie and George hadn’t met, and in fact Ernie was still a teenager, living in England and scanning the skies for Zeppelins. There was no hint yet that Ernie’s fortunes would bring him to Canada, or that his future would become so intrinsically linked with George’s son Bill, and that one day they’d attend the same McCormick’s picnics, two in a sea of faces turned towards the camera.McCormick's picnic 1, circa 1929

McCormick’s, like many other London companies and groups, often hosted employee picnics at Port Stanley on the shores of Lake Erie. Just 25 miles from London, the village had been drawing thousands to its beaches and magnificent hilltop park since at least the 1860s, described even in its early incarnation as “Canada’s Saratoga,” where “the air is always cool, and night delightful.” Despite a fairly constant population of fewer than 1,000 souls throughout the second half of the 19th century, Port Stanley boasted some five grand hotels, among them Fraser House, with a panoramic view of the lake. The hotel’s owner, William Fraser, was connected by marriage to Hollywood glamour, and the internationally renowned actress Annie Pixley made regular prolonged visits, contributing to the village’s cachet. A later advertisement for a competing hotel assured readers “if you are particular we want your patronage.”

Day trippers, though, along with company picnickers and school groups, made up the bulk of visitors to Port Stanley. One of the earliest large outings was made in 1859 by 400 school children from St. Thomas who were escorted on a day long picnic in honour of Queen Victoria’s birthday. Newspaper accounts made much of the outing, recording that the children departed at an early hour, each with a basket in hand, and serenaded by the music of the St. Thomas Brass Band. Such excursions would not have been possible without some reliable means of transportation, and for those traveling from St. Thomas, and from London further north, the London and Port Stanley Railway, built in 1856, served that purpose. One of the first railways in Ontario, the L&PS had been built to ease congestion on the plank road between St. Thomas and Port Stanley, and carried freight to and from the Lake Erie port, where cargo steamers loaded and unloaded shipments of coal, lumber and other goods. Responsibility for the railway changed hands several times over the years, and passenger service wasn’t always reliable, earning the trains a few nicknames – the Late and Poor Service, the Lost and Presumed Sunk – but by 1913 the City of London had become the owner of the line and converted it to electricity, improving its performance.

L&PS Railway at the foot of Picnic Hill
The L&PS Railway trains dropped passengers at the foot of Picnic Hill where they could queue for the incline railway that would take them to the top. (Photo courtesy of Elgin County Archives)

Electric trains, expansion of the village’s attractions and a concerted effort by Port Stanley’s Chamber of Commerce enticed people to visit “Canada’s Coney Island,” and the public came in droves, delivered by the L&PS coaches right to the foot of Invererie Heights – better known as Picnic Hill – where the visitors dispersed to stroll the boardwalk that boasted “every manner of booth,” or headed to the beachside pavilion to rent a bathing suit for a dip in the lake. For those inclined to a different sort of bathing, rows of benches lined the beach, inviting people to “take the sun bath cure,” and in the evening, lakeside dance pavilions opened their windows to let the strains of dance music echo over the water.

port stanley beach casino
Beachfront casino, ferris wheel and ladies bathing rooms at Port Stanley, circa 1913. Photo courtesy of Elgin County Archive collection.

Our grandfather Bill and his family visited Port Stanley many times over the years, but the earliest photos are picnic shots like the one of Bill and his brothers dressed in their picnic best. On those days they’d have arrived at the foot of Picnic Hill with hundreds of others, carting picnic baskets and blankets to spread on the grass and forming long queues for the incline railway that would lift them the several hundred feet to the top.

Incline Railway courtesy Elgin County Railway museum
The incline railway ferried picnickers to the top of Picnic Hill, and back down again at the end of the day. (Photo courtesy of Elgin County Historical Museum.)

There, as the Chamber’s pamphlet tells us, they’d find a “handsome, natural park … delightfully shaded by trees … with plenty of seats on the brow of the hill overlooking the lake and village, and swings and other entertainment for the youngsters. … In the evening, [the park] affords a picturesque view of the boardwalk with its many lights and promenading crowds.”

Bill and the picnicking crowd likely didn’t stay to watch the twinkle of lights in the evening. Following an afternoon of potato sack and three-legged races, bean bag toss competitions and tug-of-war, they’d have sat at the long rows of picnic tables spread with checkered cloths and eaten sandwiches and cold chicken and cakes and laughed over the day’s antics. Someone from the company probably made a speech, and a few employees might have been singled out for special mention – a recent marriage, a new baby – and the day would come to an end. The jostle of the coach on the way back to London surely lulled many to sleep, and stirred dreams of next year’s company trip, and another outing to Port Stanley’s Picnic Hill.

McCormick's picnic potato sack race
Potato sack race at a McCormick’s company picnic on Picnic Hill. The man on the left, in tough for the win, is George Cartwright, our great grandfather.

A postscript here that we’ll be in London, visiting The Book Store at Western, on November 17th, 2 to 4 p.m. Please join us!

Sources

Elgin County Archives and Elgin County Historical Museum

A Spot on the Lake: A History of Port Stanley, by Len Hendershott

Closed Canadian Parks: Port Stanley

Loss of the Mary Rose and Strongbow

Chapter 12 - Some of the crew members of HMS Mary Rose, circa 1916
Some of the crew of the Mary Rose, 1916. Joe is here too, in the lower right portion of the photo, behind the man with the cigarette in his mouth.

One hundred and one years ago today, Joe Deverill’s ship went down in the North Sea. He was on board HMS Mary Rose, with 100 or so other men, when they were attacked by two German light cruisers in the early hours of the morning. Mary Rose and her sister ship Strongbow were destroyers charged with accompanying a convoy of merchant ships back and forth between Scotland and Norway — the job was usually boring, according to one of the sailors who survived, and who called the trips “mail runs.” But October 17, 1917, was the opposite of boring. The convoy was sunk, and some 250 men lost their lives.

Chapter 9 - Joe Deverill circa 1915
Joe Deverill, early in WW1

Joe’s story was only a tiny footnote in our larger story when my sister Tracy and I began the research for The Cowkeeper’s Wish. Little did we know that we would end up in the National Archives in London, meeting with other descendants of Mary Rose men, and scouring court documents, reading the actual testimony of the men who survived this terrifying ordeal. On the Mary Rose, those men were few in number. Only 10 made it safely to Norway, having witnessed the horrible deaths of their shipmates.

It was fascinating work finding out about these men — those who perished and those who survived — and gathering them into a “community” on the Imperial War Museum’s wonderful site, Lives of the First World War. That’s where our research began, and it grew massively from there. Service records, newspaper accounts, family lore, photographs, letters, and testimonies from the survivors all combined to give us stunning details, some tiny, some rich, that helped us revive the men’s stories: one sailor had a “True Love for Maggie” tattoo, and another had webbed toes; a survivor confessed in a letter to another man’s widow that he would “go sick” if he were sent to sea again after “that horrible massacre”; another widow had a baby not long after her husband was killed, and named the child Mary Rose; a 17-year-old midshipman had only just been temporarily transferred to the Mary Rose, and was meant to go back to his own ship in a week’s time; yet another man — a survivor whose identity we haven’t uncovered — brought a piece of Mary Rose wreckage to a deceased man’s family when he came to offer his condolences and tell them what had happened. How difficult and necessary such visits must have been, not just after this event, but after so many of the tragedies of war.

It could have been Joe who made the offering, for a family story exists that he did visit a friend’s mother to offer what news he could about her dead son. He himself had survived — but the joy of being alive was surely muted by loss. Just 19 when the attack occurred, Joe was carrying a lucky penny that exists to this day, and features on the cover of The Cowkeeper’s Wish.

 

One hundred and one years later, we can’t know all that happened that day, and what it did to the men and their loved ones. But the book contains as full an account as we could manage of this small episode of WW1. Here is the opening of the chapter “Down-Hearted and Shivery,” which recounts the attack and its aftermath:

As the news of Mary Anne’s death travelled toward him that October in 1917, Joe unwittingly moved farther away from it. On the morning of the 15th, Mary Rose and her sister destroyer Strongbow left Lerwick, accompanying a convoy of merchant ships to Norway with the help of two British fishing trawlers fitted out for escort purposes. The trips were sometimes boring, as Joe’s crewmate John Bailey had noted, but also potentially dangerous. The convoy system hadn’t been perfected yet, and many of the merchant ships, or “packets” as they were known, had little experience travelling in such a regimented way. Sometimes the fast ships pushed too far ahead, and the slower ships lagged behind, making the destroyers’ job to guard the whole group not just challenging but maddening because of all that could go wrong while the gaps in the convoy widened. Sometimes, too, the destroyers were purposely sent in different directions. By the morning of the 16th, after an uneventful sail, Mary Rose and Strongbow were approaching Norway with their group. As per their instructions on leaving Scotland the day before, they parted ways when they encountered a second westbound convoy. Mary Rose took up this new convoy of twelve ships, and with the trawler P. Fannon started back toward Lerwick. Strongbow, with the trawler Elise, carried on with her original charges. Once she’d seen them to shore at Bergen, Norway, she would turn back and rejoin the westbound group.

Evening had come by the time Strongbow and Elise drew close to the others again. Several times through the night, Strongbow’s Lieutenant-Commander Edward Brooke attempted to reach Charles Fox on Mary Rose but was unable to make contact. Fox, for his part, did not know that Strongbow had returned, but he zigzagged ahead anyway, staying close to a couple of the faster ships in the convoy and drawing farther away from the bulk of the packets lagging behind. With Lerwick in reach, the convoy grew uneven. By dawn the two destroyers were close to ten miles apart with most of the merchant ships between them. The sky was lightening but cloudy, and the sea was rough. Just before six, Strongbow’s officer of the watch sighted two ships coming closer. He assumed, from their dark grey colour, that they were British light cruisers. But when Strongbow flashed its recognition signals, the ships answered by opening fire.

 

With thanks to Sue Church for her diligence and enthusiasm researching the Mary Rose, and for bringing so many of the crew’s descendants together.

An unknown soldier and an unconventional woman

Mary Jamieson Front & back (1)The woman in this lovely portrait, Mary Jamieson, came to my attention when I corresponded with her granddaughter Alison following my earlier post about finding women hidden behind their husband’s names. Just like Tracy and me, Alison Botterill and her sister Fiona Duxbury have been on a lengthy quest to solve some mysteries in their family’s past. Alison told me the following story:

During the First World War, Mary Jamieson was a young Scottish woman living far from family in London. She was involved in the suffragette cause, and family lore says she spoke at Speaker’s Corner in Hyde Park, a popular place for speeches and demonstrations. She didn’t believe in marriage, unusually enough, and had a son out of wedlock in January 1916. Then in 1917, she was among the first to join the Women’s Army Auxiliary Corps, attached to the 2nd Artists Rifles, and a photo of her exists with some of her co-workers, taken outside Hare Hall in Romford. Though her record doesn’t survive, Alison and Fiona were told by family that she held the rank of forewoman and spent some time  in France, near Lille. They think she may have worked as a cook. The photograph is one of a series taken in the same place, and experts have suggested that the number in the lower right-hand corner dates it to approximately October 1918.

Alison's grandmother
Mary Jamieson sits second from left in the front row.
John Jamieson
John Jamieson, Mary’s son, was given to friends to raise

War work at this point in Mary’s life would have been a challenge, given the fact she was on her own with a little boy, John, and then a daughter, Mary Joan, born in June 1918. Both children were born in London workhouse hospitals, near to where Mary was living and working at the time, and are listed in the ledgers with their mother, bearing the surname Jamieson. In Joan’s case, the specification “Illegt” is scribbled in as well. A fragment of a story has been passed down that she was named for a “Lady Joan someone” — maybe a connection of Mary’s from the Women’s Army Auxiliary Corps.

Whether the children shared the same father or not is uncertain, but they didn’t spend long living as siblings. At some point John was given to friends to raise — perhaps soon after Joan was born, for Mary’s workhouse record gives no clues as to his whereabouts at this time. It must have been painful to give up the joy of seeing her little boy grow up, although there appears to have been some contact between mother and son during his early years. Joan stayed with Mary, and became part of her mother’s second family when Mary met her husband-to-be a couple of years later. Mary Jamieson and George Couper Reid had several children together, but they didn’t wed until 1948, shortly before Mary died.

(Mary) Joan Jamieson
Mary’s daughter, Joan Jamieson

With this second family, more clues emerge. Mary and George had a son in 1920, and though they weren’t married, Mary’s name on the birth record appears as Reid formerly Cameron nee Jamieson. So was Cameron the name of the other babies’ father?

Alison and Fiona hung on to that clue when Joan died, and a photograph of a handsome young soldier surfaced among her possessions. The writing on the back gave no name, but stated, in Joan’s hand, “This is my father who died of WW1 wounds in 1918. He was the eldest son of one of England’s old Catholic families.”

So it seems that Joan’s father died the year she was born — which might explain why Mary felt she couldn’t manage alone with both children. When looking at an enhanced version of the soldier’s portrait, military experts have suggested he belonged to the King’s Own Scottish Borderers, and pointed out that he’s wearing a Military Medal ribbon. Putting all these pieces together, the sisters settled on a soldier named Archibald Borland Cameron as a good possibility for Mary’s man. He served with the KOSB (and later with the Border Regiment); he was awarded the Military Medal for heroic action in 1916; and he died in April 1918, just a couple of months before Joan was born. Other parts of his story don’t fit, however: Archie, as he was known, was Scottish, not English; and he was the youngest son, not the oldest. But his service record does offer a tempting detail: in January 1916, the very month John was born, Archie Cameron “illegally absented himself without leave.” Is this just a coincidence, or was it the case of a young father anxious to meet his baby son?

Untitled 3.tif

Does some distant relative of Archie’s have a photograph that matches the picture above, of Joan’s father?  It’s hard to imagine what evidence might surface now, after a century has passed, to clear up the mystery of Mary Jamieson and her children. But I can relate to Alison and Fiona’s determination to find the answers. And to the fact that, even when you don’t find answers, the search is fascinating.

Lives of the First World War: Mary Jamieson

Lives of the First World War: Archibald Borland Cameron

Kate’s Story

When you sit down to write a book like The Cowkeeper’s Wish that spans generations and decades, it’s inevitable that some details and characters will have to go by the wayside. As difficult as that culling is for those of us who love a big story, and as tantalizing the detail or interesting the character being omitted, in the end the edit usually makes the narrative tighter and tidier and more enjoyable for the reader. One of the characters left out of our story was our great grandfather’s sister, Kate Sarah Deverill. It’s never nice to exclude a sister, so this post is meant to remedy that.Forget-Me-Not Flowers

The third child of William Henry Deverill and Mary Margaret Taylor, Kate was born in Uxbridge on February 3rd, 1872. Her sister Ada was three years older, and her brother Harry, our great grandfather, two. All three children had been baptized in the so-called non-conformist (meaning not Church of England) Providence Chapel, the same church where their parents had wed in 1867. How William Henry and Mary Margaret came to meet is an interesting tale, full of speculation, but for now suffice to say that William was in the grocer’s trade, and Mary, daughter of the resourceful Mary Anna Bell-Taylor, had inherited her mother’s entrepreneurial spirit and ran a toy shop.

William grew up in Uxbridge, a small community 25 kilometres from the centre of London, located on the main road between that city and Oxford. Throughout the 18th century, travel along the route was steady with some 40 stage coaches a day stopping to change horses and rest passengers, and dozens of inns, alehouses and breweries did a brisk trade. Because of the traffic, the area was rife with highwaymen, and several were said to have lived openly in Uxbridge, lending the village a reputation for dishonesty. Apart from the coaching trade, an agricultural industry existed in Uxbridge, centred on corn and flour, market gardens and greenhouses. In the 1830s, brick-earth, a kind of loam that only needs baking to form usable building bricks, was uncovered nearby, and became a major source of local employment. When the main railway line from London was laid through another community and Uxbridge received only a branch line, its industries quickly declined, and throughout much of the 19th century, when our William Deverill lived there, first as a lad, then as a young husband and father, Uxbridge remained a sleepy market town.

Kate lived there with her parents and siblings until she was six or seven years old, old enough to be aware of the most likely reason for the family’s move, her father’s bankruptcy. A notice in the London Gazette recorded William’s misfortune, directing that “at three o’clock in the afternoon precisely” on January 20, 1876, he appear at the offices of Messers. Woodbridge and Sons, Solicitors, for a meeting with his creditors. His days as a grocer weren’t over, but he’d no longer be a business owner, and by 1878 he’d moved his young family to Greenwich, settling near a snarl of railway lines and close to his wife’s relatives.

There are no known photographs of Kate, either as a child or an adult, so we don’t know if she shared her brother Harry’s dark eyes or sister Ada’s round smile.

Jack and Ada maybe
A later photograph of Kate’s younger brother Jack and older sister Ada. Did she look like either of them?

Presumably she learned sewing skills from her dressmaker mother, since on the 1891 census she and her sister Ada, then 19 and 22, still lived at home sewing shirts for a living. At some point between 1891 and 1897 Kate moved out on her own, and from this point on, her story, like that of so many women, meshes with that of the men in her life, and Kate fades into the background. We do know that she took a flat on the north side of the Thames in the Covent Garden area near Buckingham Palace. Despite its proximity to the royal palace, the inhabitants, according to Charles Booth’s London poverty maps and notebooks, were “mixed. Some poor living … but not rough.” Part of a street improvement plan implemented in 1880, Kate’s address, 7D Block, Bedfordbury, was most likely the Peabody Buildings, tenement structures with “luxury” features like outdoor recreation space and laundry facilities, although the flats did not have running water. Presumably, these were happy days for Kate, given the presence at 10B Block of a young man with the unusual name of Frederick Gaughan Burnett. If we were to try to characterize Fred based on the few details we know about him, it would be tempting to imagine him as a carefree charmer with an easy laugh, happily fabricating the facts of his past. Certainly he is an enigma for us, more than a century on, trying to make sense of the few perplexing clues left behind. On one record, his father was called Frederick, an Indian Commissioner; on another, William, a knight; on a third, Sir William Gaugan Burnett, I.C.S. (either Indian or Imperial Civil Service). Yet Fred himself worked as a railway porter, and later a commercial salesman, neither job plausible for the only son of a man with a knighthood. These oddities didn’t matter to Kate, or perhaps she knew the true story we’ve been unable to find. Whatever the case, she married Fred in July, 1897, a few weeks after the celebrations for Queen Victoria’s diamond jubilee. The register shared a few more surprises: the wedding occurred at St. Martin-in-the-Fields on Trafalgar Square, a grand and historic Church of England place of worship, though Kate had been baptized as a Methodist, and Fred’s “Rank or Profession” was reported as Soldier, R.H.A., or Royal Horse Artillery.

It’s possible that all this is fact. Perhaps the initial recording of Fred’s father as another Frederick instead of William was a clerk’s error; perhaps Fred’s father had indeed been knighted for his service to the crown as a member of the civil service in India, and any record of him has simply not survived. Perhaps Fred was the illegitimate son of this knighted man, which would explain the difference in their stations – the father a person of some means and accomplishment, the son carting other people’s luggage for a living, and taking in boarders to help pay the rent. It’s even conceivable that Fred was indeed a soldier in the Royal Horse Artillery, and that as a very young man he’d worn the crisp blue uniform with its rows and rows of gold braid adorning the chest and cuffs, although any accounts to prove this remain elusive, as do any records at all of Fred before he married Kate.

waterloo station 1902
Waterloo Station in 1902, where Fred may have worked as a railway porter.

So Fred is one of those frustrating and fascinating genealogical brick walls, although once his story joins Kate’s, it is not so obscure, but no less interesting. The couple settled at first in the Waldeck Buildings on Windmill Street in Lambeth, a “superior, improved dwelling” where the flats boasted their own sink with running water and “plenty of shelves and good cupboards.” The buildings were situated close by Waterloo Station, a likely place of employment for Fred given his work as a railway porter. Waterloo had become quite ramshackle, with platforms added willy nilly since its opening in 1848, and by the time Fred worked there it was considered the most perplexing station in the city, and was the butt of jokes and music hall gags.

coffin ticket
First, second and third class coffin tickets, ensuring that no body, whether dead or alive, need rub with another of the wrong sort.

In addition to being a snaggle of disorganization, Waterloo also had a spur line to the dedicated station of the London Necropolis Company, which ran funeral trains daily to Brookwood Cemetery. These trains carried not only the coffins of the dead, but the mourning parties as well. Different classes were available on the trains for both the living and the dead, so an upper class corpse did not have to travel with a poor man’s corpse, or put up with his relatives.

The Waldeck Buildings where Kate and Fred lived was chock full of police constables, the lowest rank on the force, and who were paid a relatively low wage. Why so many police in one place? One explanation may be the floating police station constructed in 1900 at the Waterloo Pier, home to the Thames River Division of the Metropolitan Police Force. The River Police, as they were known, had a long history of patrolling the Thames, and in fact had existed well before London’s Metropolitan force was formed, and with which they’d amalgamated. Once, smugglers and cargo thieves had been the division’s main focus. Now, at the end of the 19th century, their floating station was as well known for its pots of geraniums outside as it was for missions of recovery. The Waterloo Bridge where the division floated was the most popular spot on the Thames for suicides, and during patrol while the men watched for cargo thieves they scanned the water for bodies too.

thames river police
Thames River Police patrolled the river watching for cargo thieves and suicides.

Living amongst so many police officers meant Kate and Fred surely knew several personally, and it may be why, in 1911, having moved back north of the Thames to St. Pancras in the area of Gray’s Inn, they took in Arthur Steggals as a boarder. Arthur was a member of Central Investigations Division of the London Metropolitan Police, described as having brown hair, blue eyes and a fresh complexion. He’d joined the force in 1900, and had progressed through the ranks, becoming a detective with some experience, and a sergeant. Searches of newspapers and police court records return Arthur’s name repeatedly, and give us a flavour of the kind of work an Edwardian-era policeman did, and some insight into Arthur’s character. An article from 1908 recounts the arrest of a man who stole several pairs of boots, including Arthur’s, from the police station. Encountering the man on the street, Arthur recognized his own boots, and took the fellow into custody. At his court hearing it was reported that the man was a workhouse inmate but that he sometimes worked at the police station doing odd jobs. In the past Arthur had helped him out by giving him a jacket and waistcoat. The magistrate was lenient by Edwardian standards, and told the accused he would not send him to prison this time, but placed him under probation for a month. Another newspaper item tells a rougher story, of Arthur and a second officer in a “desperate fight” with two men caught burgling a warehouse. One of the perpetrators escaped, and the other was arrested, but not before injuring Arthur and his fellow officer so badly that they were unable to appear in court to testify.

What Kate and Fred thought of these kinds of stories, if Arthur shared them, is unknown. Nor is it apparent the circumstances that led to the break-up of Fred and Kate’s marriage, but some time after the 1911 census, when the three were recorded as living together – man, wife and boarder – Fred left the flat in St. Pancras, and in 1914, without a divorce from Kate, married Kathleen (Queenie) Bell from Leicester, at St. Stephen’s, Putney, south of the Thames. Their daughter was born in 1918.

At what point in this tale did Kate and Arthur progress from landlady and boarder to something more? Arthur’s 1915 pension record when he retired from the force at age 36 shows that he was single, and living at an address in West Kilburn. Of Kate there is no trace until, disregarding the law and chancing a charge of bigamy but perhaps encouraged by word of Fred and Queenie’s bigamist union, she and Arthur married in 1920 at Kingston, Surrey. Unlike Fred, Kate remained childless, but she and Arthur lived close by Kate’s sisters and their families, sharing happy, sad and ordinary days. Arthur died first, likely of heart or kidney problems, just before Christmas, 1940 at the age of 64, and Kate four years after, when she was 72. But for the curiosity of searchers like us, coming to the story decades later, Kate’s existence might have passed into obscurity, gone and forgotten. And while there is so much we do not and cannot know about this other Deverill sister, at least part of her story is now resurrected.thinking of you postcard.jpg

Sources

Old Bailey online

Thames Police Museum

British Newspapers online archive

London Gazette online

Ancestry

British History online

 

The Power of Craft: Occupational Therapy in WW1

embroidery ww1
One of 60 squares on a sheet made at the Royal Staffordshire Infirmary in 1917. Each square is embellished slightly differently, and bears the man’s name and regiment. This one was worked by Sydney Frederick Hudson, who survived the war.

I recently watched a news piece about a quilt that had been made by wounded soldiers in 1917. The men were convalescing at the Royal Staffordshire Infirmary, and each had been given the task of embroidering his name, his regiment, and some decorative swirls on a small square of fabric. The 60 squares, all rendered in shades of pink and blue, were then stitched together into a single sheet. A picture exists of two men standing on each side of the finished piece, wearing their “hospital blues,” and looking out at the camera with war-weary expressions.

The stitching of the squares can be seen as a form of occupational therapy, which was quickly gaining recognition from the medical field because so many men had physical or mental injuries, or both. Working on some form of craft could potentially help patients in a variety of ways: it might encourage movement of specific muscles; it might distract the person from the pain he felt; it might give him a sense of purpose and accomplishment; and if done in a group, as with the embroidery sheet, it may foster a sense of community.

Chapter 9 - Joe Deverill circa 1915
Sailor Joe Deverill, early in the war

The same year the quilt was made, our great uncle, Joe Deverill, was a 19-year-old Able Seaman on board the Mary Rose, a destroyer that escorted ships from Scotland to Norway and back across the North Sea. It was routine work, and the trips were rather dull until one day in October, when the entire convoy was attacked by German light cruisers. Almost everyone on board the Mary Rose perished, as well as many from other ships traveling with her, a tragedy recounted in detail in The Cowkeeper’s Wish. Amazingly, Joe survived, despite his youth and inexperience.

Family lore says that afterwards he took up rug-hooking, and that it soothed his nerves to pull the wool strands through the heavy fabric and watch a pattern emerge. It seems likely that someone gave him this task, and showed him what to do, just as someone showed the men embroidering their squares at the Staffordshire infirmary.

That someone was likely a woman who worked as a “ward aide.” Canadian women did groundbreaking work in this field, and according to Judith Friedland, author of Restoring the Spirit: the Beginnings of Occupational Therapy in Canada, many were either artists or teachers, well suited to helping the men learn simple craftwork that would build their self esteem and keep their minds and hands busy. The tasks turned out to be a crucial part of their recovery. A 1921 New York Herald article raves about the ingenious work going on at Fox Hills Base Hospital, lead by “a competent woman instructor.” The author describes walking through the wards and coming upon “men with powerful big frames except for a missing leg or a twisted arm or a hole in the neck. Each one has his head bent over the bed picking up little beads and stringing them out endlessly into something that looks as though it was going to be a shopper’s purse.” He asked one of the men if the work was hard on the eyes, and the man answered, “It’s only hard on one of them. … The other’s glass.”

England’s Imperial War Museum holds some lovely examples of work made by soldiers as a form of therapy. There are hand-painted fretwork figures of politicians and nurses and soldiers; embroidery samplers; and decorative envelopes pieced together from newspaper. There are haunting pieces in the collection as well. The rings below were considered “trench art” and incorporate a fragment from a German aluminum nose cone and an eagle cut from a German button. They were collected by Alice Rapley Wood, who served as a nurse in France from 1914 to 1916 and later worked at Summerdown Convalescent Camp at Eastbourne, which treated occupational therapy cases. It was here that the rings were made. So far I haven’t unearthed much about Alice herself, but she seems like a woman ahead of her time. She had artistic leanings and painted miniature portraits. On the 1911 census, she is listed with her second husband (having divorced the first), who was a piano manufacturer’s manager several years her junior. She makes a point of noting her own occupation as “artist.” In the decades following WW1, she appears in the Physiotherapy and Masseuse Registers, so she definitely continued with her work long after the war was over. The war had brought an incredible amount of suffering, but also profound and wonderful changes in the lives of women like Alice.

trench art alice rapley wood
A set of four trench rings collected by nurse Alice Rapley Wood. © IWM (EPH 4364)

Among the most beautiful examples of occupational therapy in the IWM collection are the intricately beaded necklaces made by Walter John Cressey, a private with the Middlesex Regiment who convalesced at Queen Alexandra’s Military Hospital in London. Cressey was blind and had lost four fingers as the result of gassing. What painstaking work it must have been to make these necklaces, with their tiny beads strung into a long waving pattern, and how sad to never be able to see them. And yet: how brilliant to construct something as a means of healing from so much destruction — to stitch, string, mould, weave, paint, paste, and knit in order to put things together again after such a painful time in history.

walter john cressey necklace

 

Sources

Imperial War Museum: occupational therapy souvenirs and ephemera

Restoring the Spirit: The Beginnings of Occupational Therapy in Canada, 1890-1930, by Judith Fern Friedland, McGill-Queen’s University Press, 2011.

“Ingenious work is done by wounded veterans.” New York Herald, 25 September, 1921.

Lives of the First World War: Joe Deverill; Alice Rapley-Wood; Walter John Cressey

With thanks to Kevin Dance for sharing his photo of the Staffordshire Infirmary embroidery square.

 

The Fashionable Craze of Today: A Victorian Tattoo Artist

Courtesy The Wellcome Library

In 1903, Tatler magazine featured this spread on tattooing, “the fashionable craze of to-day.” The work was that of tattoo artist Alfred South, who claimed by that time to have inked images on no less than 15,000 people, 900 of them English women.

An emigrant to England, South was born Alfred Charles George Schmidt in Karlsbad, Bohemia, and seems to have begun using the name South some time in the 1890s, when his tattooing career began. His big break came in May of 1898, at the Royal Aquarium, an amusement palace of sorts, with tightrope walkers, high divers, human cannonballs, and hypnotists. That spring, fellow tattooist Tom Riley had to step away from his busy booth there in order to deal with what the London Evening Standard termed “trouble with his wife, who wanted to poison herself.” (Flo Riley was frequently dubbed Tom’s “Tattooed Marvel” and was “covered with many beautiful designs in seven colours.”) South stepped in and must have quickly made his mark on the tattooing scene, for according to the Standard, Riley, upon his return, was so incensed at the thought of upstart South stealing his clients that soon he began to publicly harass South in the halls of the Royal Aquarium. South pressed charges, and Riley (whose wife survived her ordeal) was ordered to keep the peace. From then on, regular newspaper ads appear for South’s services, promising “any design, all colours” — and how it must have rankled Riley that sometimes South’s ads showed alongside his own.

german tattooed lady
This image comes from “Pictures on the Skin,” a lengthy article about South’s rival, Tom Riley.  It appeared in The English Illustrated Magazine in 1903, the same year Tatler published photographs of South’s designs.

By 1899, though, South’s livelihood was threatened when 21-year-old Louis Montgomery Forbes died of blood poisoning shortly after South had tattooed him. Papers carried headlines about the “peculiar circumstances” around Forbes’ death, and the dangers of tattooing, and South was called to testify at a coroner’s inquest.

Forbes had come to South for tattoos on several occasions; this time he requested a lion on his chest, a procedure that took 10 hours, according to South’s testimony. Every couple of hours, South asked Forbes if he’d like a break, but Forbes always declined. While South worked with his needles, Forbes drank 14 whiskies to dull the pain, and afterwards the two went out together for a bowl of soup and then to a public house to show off the lion to a friend. They parted ways, and that was the last South saw of him.

Forbes returned to his cousin’s house, and the next day felt unwell. Fourteen whiskies might do that to a person, so perhaps he was not at first alarmed. He told his cousin about receiving the tattoo — that it had taken a long time and been quite painful, but that he didn’t attribute his illness to the procedure. A doctor was called, but he continued to grow worse. Most likely he felt dizzy and disoriented; his heart raced; his skin turned clammy and pale, and he drifted into unconsciousness. Three days after receiving the tattoo, he died. Other doctors were called in to give their opinions of the cause of his death, and while all agreed it must have been blood poisoning, none could say it had anything to do with South’s tattooing.

For his part, South claimed that by this time he’d tattooed more than 5,000 people and never had a problem. He used a fresh set of needles for each customer, and during procedures he placed them in carbolic oil. He used only the best quality Chinese ink, which he produced as part of his testimony, and offered to eat it to prove his claim, but the coroner didn’t think that necessary. “The jury reached a verdict in accordance with the medical evidence, but attached no blame to the tattooist.”

South went on with his work. As he told one reporter, “You’d be surprised to know the number of people who come to me to be tattooed. And from all classes. I’ve tattooed lords and ladies of high degree, doctors, barristers, actors and actresses, men and women of all professions, just as I have tattooed soldiers and sailors and working men. What is it that makes them want to be tattooed? Well, I suppose it’s just a fad — that’s my only explanation of it.”

In 1906, South made the news again, telling of his recent exploits in Vienna, where he’d tattooed the arm of a tiger tamer. “His conditions were that I should go inside the cage and take my design from an unfettered animal. … I had nicely arranged all my apparatus on a table inside, and was just about to begin the sitting, when, without any warning, the brute leapt at me. I stood aside, only to see my table crushed under the heavy weight of the animal. Without waiting, I rushed outside the iron door, but after a while one of the attendants told me that everything was all right again. Well, I thought that one can die only once, and re-entered the cage, and after one-and-a-half hour’s sitting I had accomplished my task.”

Over the years what seems to have changed most was the kind of tattoo people desired. By January 1914, South was offering “your favourite horse, dog or cat tattooed upon your arm, neck, shoulder or ankle.” The Daily Mirror carried an image of him at work on a client. South sits in his lab coat, a dowdy, balding, somewhat round man who resembles Alfred Hitchcock. He holds his needle against a woman’s arm; she’s watching him work, and smiling a little tentatively, but South’s eyes study the dog she holds — a fluffy white lap dog — who in turns stares out at the camera with a seemingly baffled expression.

When war erupted later that year, two of South’s sons enlisted, surely thankful their father had long ago stopped using Schmidt as a surname. The younger son’s involvement was brief — just 18 and a Boy 1st Class on board the ship Edward VII, he was blown overboard in a gale and lost to the sea. His record shows his initials, LS, were tattooed on his upper left arm; the work of his father, perhaps — but simple and understated compared to Louis Forbes and the Tattooed Marvel.

Tattoos had long been popular among soldiers and sailors. In the box for “Wounds, Scars, Marks &c.,” service records note a plethora of horseshoes, crosses, women’s names, clusters of forget-me-nots, anchors, snakes, birds, and shamrocks. By 1915, women and girls — “who in ordinary times would not dream of being tattooed” — were coming to South wanting tattoos to remind them of a man who had gone off fighting. “The usual request is for a regimental badge to be etched on their arms, sometimes with the words ‘I love’ or ‘Yours forever.'”

Curiously, the desire for these “indelible mementoes” was something that seems to have puzzled him over the years. He regularly fulfilled requests for sweethearts who wanted each other’s portrait tattooed. But he mused, “it’s a bit awkward if they both should happen to change.” One can imagine him shrugging and simply carrying on. By the time of the First World War, South had been tattooing for some 20 years, and must have marveled that “the fashionable craze of to-day” was also the craze of tomorrow, of the next day, and the day after that.

Sources

  • “The Gentle Art of Tattooing.” Tatler, November 1903 (Wellcome Library).
  • Naturalisation Certificate: Alfred Charles George Schmidt. 28 February, 1905. National Archives.
  • “Police Intelligence — Westminster.” London Evening Standard, 16 July, 1898.
  • “Pictures on the Skin: The Experiences of a Society Tattoo Artist” by Pat Brooklyn. English Illustrated Magazine, 1903.
  • “Wanted … Flo Riley.” The Era, 11 March, 1899.
  • “The Showman.” Music Hall and Theatre Review, 5 December, 1902.
  • “Singular Death of a Young Man at Cookham.” Reading Mercury, 8 April, 1899.
  • “Died After Being Tattooed — A Mysterious Death.” Eastern Evening News, 6 April, 1899.
  • “Tattooing Among the Aristocracy.” Nottingham Journal, 7 April, 1899.
  • “Tatooist’s Exciting Adventure.” Belfast News-Letter, 17 April, 1906.
  • “Dogs’ Portraits Tattooed on the Arm.” Daily Mirror, 17 January, 1914.
  • “Tattooed Women.” Daily Mirror, 14 October, 1915.
  • Lives of the First World War: Leslie South formerly Schmidt

 

Lost and found: a WW1 nurse

LMA Stone Case Book Our Ellen 2
The elusive Ellen Evans, otherwise Roff, otherwise Humphries, discovered in the Stone Asylum casebook at the London Metropolitan Archives (City of London). Ellen’s sad and tangled story is recounted in The Cowkeeper’s Wish. (This image appears with permission, ©LMA.)

I’ve mentioned in earlier posts how challenging it can be to find women in a family tree, because they tend to disappear behind their men. During out research for The Cowkeeper’s Wish, one of the biggest brick walls was finding Ellen, our great grandmother’s sister, who left her husband in the 1890s and eventually turned up living with someone else and using his surname, though they had not married. Sometimes women disappear even more completely behind their partner’s name and become “Mrs John Humphries,” erasing every letter of their own identity.

I recently found an example of an elusive woman while engaged in some volunteer work I do for the Imperial War Museum’s excellent Lives of the First World War website. I’ve taken a special interest in the women’s records there, and I was searching specifically for women who’d worked at the Australian Voluntary Hospital in Wimereux, France. I was surprised to come upon a page for Staff Nurse Robert Hannah nee Walter E. C., and wasn’t quite sure where to begin to untangle such a jumble of surnames that could also be first names. I double-checked the original source Lives had used — the women’s service roll at the National Archives — and the name appeared the same way there.

Since it’s highly unlikely that a nurse in 1915 was named Robert, I thought the names were simply transposed, and should read Hannah Robert nee Walter. I searched for a marriage record during the war that would confirm that suspicion, but nothing fit. And then I remembered the “E. C.” that I’d ignored on the entry the first time around. I checked the National Archives record again, this time viewing the digitized version, and saw a tiny crucial “Mrs” beside the name, and left out of the transcription. Mrs. Robert Hannah? That made more sense. I popped in a new search, still within the Lives database, and found that Ella C. Walter had married Robert C. Hannah in Kensington, London, in 1917.

That the marriage took place in London was another bonus, since Ancestry holds those digitized entries of Church of England Marriages and Banns. Here I was able to find yet a little more about the woman so recently known as Robert.

When they married on January 6, 1917, at St. Phillip’s Church, Ella Clarice Walter was a 39-year-old spinster, living at 4 Richmond Mansions, Earl’s Court. Her father’s name was John Charles Walter, and though he was now deceased, he’d been “civil servant, Melbourne,” according to the certificate — another Australian connection for the woman who’d worked at the Australian Voluntary Hospital. Her new husband was considerably older than she was; a widower named Robert Campbell Hannah, he gave his occupation as “gentleman,” and he resided at the Thackeray Hotel in Great Russell Street.

Searching backwards now, I found Ella living on her own in London in 1911, a single 30-year-old woman of private means, born in Melbourne, Australia, a British subject by parentage. What brought her to London I don’t know — but being unmarried, Australian, and keen to assist with the war effort, she was an early recruit for the hospital founded by Lady Rachel Dudley, wife of the Australian governor-general, first located at St. Nazaire, France, and soon moved to an old hotel in Wimereux. The medal roll shows that Ella joined the hospital staff late in August 1914, with the war not even a month old.

avh, wimereux

In a 1915 piece about “the good work [the AVH] is doing at the front,” writer Katharine Susannah Prichard describes the setting, and brings the photo above to life:

The Winter quarters of the Australian voluntary hospital are in a great, rambling, muddily-white French hotel. When first you see it, you want to draw it as it stands against the sea, under a clear, shining sky. You feel you want to use a rough chalk for its vermilion roof, and for its shutters and doors that are vivid, apple-green. Beyond it stretch the dunes, vague and formless, with their coarse, wind-threshed, bleached grasses, and behind it spreads a scattered toadstool growth of white-walled, red-roofed cottages. Gris Nez forms a rampart on the north, and there is a deserted, red-roofed village along the coast. The Picardy landscape the hospital stands in is so tranquil in a peaceful, pastoral way, that it is almost impossible to believe, that only a few miles away all the damnable business of war is going on.

Ella Walter and colleagues in Wimereux
Clockwise from top: Elizabeth Mundell, Patience Outram Anderson, Ella Clarice Walter, and Mary Rawson.

When the staff first moved into the hotel, they’d barely had time to settle when word came that a convoy of wounded was on its way. Ambulances began arriving even before the beds had been made to receive the wounded. “They kept on arriving,” writes Prichard, “a continuous, slow stream of khaki-covered cars, with a red cross blazed across them. They came over the brow of the hill, and filed past the hospital from 10 in the morning until after four in the afternoon.” Soon stretchers lined the corridors, and 145 men required the staff’s careful attention.

Knowing Ella’s name wasn’t Robert helped me to find this lovely picture of her and some of her colleagues, posing in uniform. She and the other women depicted are each mentioned, albeit briefly, in the unit’s 1915 war diary. In May, the diary tells us, Ella contracted the measles (as did Patience), and in August, she had a brief stay at a rest home in Hardelot. The diary mentions many of the women resting there, and the Australian War Memorial holds a picture that suggests they were happy to go. I don’t see Ella in the Hardelot photograph, and I lose track of her now until her 1917 marriage to Robert Hannah. What sent her back to London, and was she nursing there as well until she married? These answers might surface if I keep searching. But it feels satisfying to have made even some small discoveries about this stranger, to sort the name and put a face to it, and to reunite a nurse with some of her colleagues from a century ago.

hardelot
WIMEREUX, FRANCE, 1915. “SICK NURSES OFF TO REST HOME AT HARDELOT” WAITING IN A MOTOR CAR OUTSIDE THE AUSTRALIAN VOLUNTARY HOSPITAL, FORMERLY THE GOLF HOTEL. (DONOR D. MASSY). AWM, P01064.027

Sources

Australian War Memorial: AVH in Wimereux, France

Discovering Anzacs: Australian Voluntary Hospital

“Handle with Care: Nurses Make Own Sacrifices Overseas.” Louise Almeida, Herald Sun, 23 April, 2014.

Lives of the First World War: Ella Clarice Walter later Hannah

Lives of the First World War: Australian Voluntary Hospital

National Archives: Australian Voluntary Hospital war diary, WO 95/4106/2

With thanks to Kathryn Shapland, Recollections of War, Albany, Australia, and Christine Bramble, Great War Nurses from the Hunter.

 

 

The Canary Girls of WW1

cardboard ww1
A cardboard collecting box used by the National Union of Women’s Suffrage Societies. Imperial War Museum. © IWM (EPH 4196)

Despite the years of research that went into creating The Cowkeeper’s Wish, we still have many unanswered questions. The brick walls rise up especially around women’s stories, for women all too often disappear behind their men. This seems particularly true of the working class. In our family, in London, England, many of the women were factory workers or cleaners or laundresses; or they did piece work like book folding or sewing at home, where they could earn a living and look after little ones at the same time. It struck us that during WW1, these were the types of women who contributed anonymously to the war effort, with little remaining now to show the part they played.

Chapter 11 - Ethel Deverill circa 1920
Ethel Deverill worked at a cardboard box factory during the war. What were the boxes used for?

If they’d sewn clothes before the war, perhaps now they sewed any of the many parts that made up uniforms. If they’d made boots, perhaps now they made army boots. If they’d worked at a box factory, as did our grandmother’s sister, Ethel, perhaps now the boxes they made would hold ammunition, or gifts for men at the frontlines, or medical supplies. Other jobs opened up for women too — women became postal workers and bus drivers and farmers; they assisted the police and wore uniforms and blew whistles; they tended the wounded as doctors, nurses, and VADs; and they stepped up in droves to work in munitions factories.

One of our relatives married a male munitions worker in 1916. Her own occupation is not listed on the certificate, but as the 23-year-old daughter of a widowed cleaner, it’s likely she had to contribute to the household income. Did she work at the same factory as her beau? Is that how they met? No one can say now. Often the female munitions workers known about are the ones who died tragically, in an explosion or of TNT poisoning — the ones who survived are lost to history.

1916, wedding party Clara and Bert
The December 1916 wedding of munitions worker Bert Morel and Clara Donnelly. Clara’s cousin, our grandmother Doris, is seated far left. Just a few weeks after the wedding, the Silvertown Explosion took place at a TNT factory in east London. With 73 deaths and more than 400 injuries, the event must have been especially frightening for those connected to such a dangerous industry.
Margaret Silcock
From the Women’s War Work portrait collection at the Imperial War Museum, WWC M5

Even during the war, there was an attempt to recognize women’s contributions. Beginning in 1917, a group of women working for what would become the Imperial War Museum began gathering documentation — photographs, ephemera, written accounts — that showed the varied roles women were playing in the war. In preparation for a women’s work exhibit at the Whitechapel Art Gallery in October 1918, they wrote to the families of women who had died in service, and asked for photographs of them so that the exhibit could honour both the living and the dead. These wonderful photos remain in the IWM collection to this day, and some of the letters still exist too, and hint at the massive loss people suffered on a personal level. When 22-year-old Margaret Silcock died of trinitrotoluene (TNT) poisoning from her work at a munitions factory, her mother willingly sent a photograph, apologizing for its smallness. “It is the only one I have,” she explained, “and I can’t afford to get a bigger one as I only get 7/6 a week.”

alice post
Alice’s mother sent this photograph in response to a request from the Women’s Work committee. Her letter reads: “I should be pleased to hear further if there is anything more I can do, also will you kindly let me know if the museum is open to the public as either my daughter or myself should like to come….” IWM, WWC M11

Women like Margaret were known as Canary Girls because the explosive chemical they worked with often turned their skin yellow. Usually the effects wore off, but many died from exposure to TNT, which could cause anaemia and toxic jaundice. One of the early casualties was a young woman named Alice Post, who died in January of 1916. A newspaper reporting on the inquest into her death stated that she had begun working at a factory about five weeks before Christmas 1915, and walked a distance of 10 miles each day to get to the works and then home again. She ate well at first, but soon lost her appetite, and often complained of headaches and tiredness. The skin on her hands and forearms turned blotchy. She saw the factory’s doctor, but when she failed to get better, she was reluctant to seek medical help again — and by the time she did, it was too late. The post-mortem confirmed Alice had died from TNT poisoning, but the doctors interviewed also felt “the state of absolute tiredness” was a contributing factor, since she had such a long walk to and from work, and very little nourishment to energize her. “People in such a condition, below par, would absorb the poison very readily. The jury returned a verdict that death was due to poisoning by TNT, and added a rider that attention should be given to the washing of the overalls, and that sugar and milk should be provided with the cocoa given to the girls on their arrival at the works in the morning.”

gladys pritchard
IWM, WWC M27

As the war went on, safety regulations increased; but there were still fatalities, and the losses were often not the first a family had suffered. When a Welsh munitions worker named Gladys Irene Pritchard died in November 1916, the letter from the IWM’s women’s work committee must have been addressed to “Miss Pritchard,” for the response from Gladys’s sister reads:

“Please excuse me writing to say it is Mrs Pritchard and she was a widow before she died, her husband being killed on the 10th July 1916 leaving two children.”

A bit more searching reveals that Gladys Pritchard’s husband David, a private with the Welsh Regiment, was killed in action during the early days of the Battle of the Somme, and that the children, Joseph Henry and Victoria Lillian, were just five and two years old when their mother and father became two of the war’s mounting casualties.

lottie meade
Lottie’s husband wrote “Please return her photos has I have not got anymore … thanking you very much for what you are doing.” IWM, WWC M15

Likewise munitions worker Lottie Meade was the mother of three young ones when she died of TNT poisoning in Kensington Infirmary in October 1916. Her husband wrote to the women’s work committee that the death occurred “whilst myself was serving in France and [I] got home to late to see her alive.” The photograph he sent along for the Whitechapel exhibit shows Lottie posing proudly in her munitions coveralls; one can imagine it was a photo taken for him, and sent to the frontlines, and then brought home again, memento of a wife no longer alive. Did it surprise him to see her turned out this way, in pants and cap, making the ammunition that fed the weapons he used? How would the war have changed her future had Lottie Meade survived the poisoning? What was it like to live through a time that produced so much tragedy but also so many profound changes in women’s lives?

Lottie Meade’s death certificate lists the cause of death as: “coma due to disease of the liver, heart and kidneys consequent upon poisoning by tri nitro toluene,” and the verdict at the inquest was “death by misadventure.” An awful waste. But the picture suggests there was adventure in Lottie’s life too. The hand on the hip, the raised chin, the subtle yet confident smile — the stance of a woman making her own way in the world.

The women’s work exhibit at the Whitechapel Art Gallery opened on October 7, 1918, and by the time it ended six weeks later, 82,000 people has passed through. The most popular part of the show was the “war shrine,” dedicated to the memory of more than 500 women who’d died in some form of service.

Sources:

Charlotte Meade, Lives of the First World War

Alice Post, Lives of the First World War

Gladys Irene Pritchard, Lives of the First World War

Margaret Silcock, Lives of First World War

The Silvertown Explosion, Lives of the First World War

A Closer Look at the Women’s Work Collection, Imperial War Museum

Lives of the First World War also contains 23 alphabetized “Wives and Daughters” communities as an attempt to document female deaths related to WW1.